Ludwig D (2013) Mediating objects: scientific and public functions of models in nineteenth-century biology. Hist Philos Life Sci 35(2):139–166 Gould SJ (1971) D’Arcy Thompson and the science of form. In: New literary history 2 (2) form and its alternatives (Winter), pp 229–258 Juliana D. Kreinik; New York University. Institute of Fine Arts (2008). The Canvas and the Camera in Weimar Germany: A New Objectivity in Painting and Photography of the 1920s. p.232. ISBN 978-0-549-58248-9. Emmer M (2002) Mathland: from topology to virtual architecture. In: Emmer M (ed) Mathematics and culture II. Visual perfection: mathematics and creativity. Springer, Berlin, pp 65–78 The Kunstformen contains 100 beautiful lithographic plates which show a multitude of unusual life forms: Radiolaria, Foraminifera, and other forms of microscopic life; jellyfishes, starfishes, calcareous sponges, star corals, barnacles, and other sea life; mosses, lichens, red algae, ferns, fungi, orchids, and other plants; and turtles,moths, spiders, bats, frogs, lizards, hummingbirds, and antelope. With many drawings on each plate, each carefully drawn from nature, the subtle details of nature's art forms are easily compared and appreciated.

Art Forms in Nature: Marine Species From Ernst Haeckel

Sabin JE, Jones PL (2008) Nonlinear systems biology and design: surface design. In: International conference ACADIA proceedings Sigwart JD (2008) Crystal creatures: context for the Dublin Blaschka Congress. Hist Biol 20(1):1–10 Wertheim M (2007) A field guide to hyperbolic space: an exploration of the intersection of higher geometry and feminine handicraft. Institute for Figuring, Los AngelesBertini M, Verveniotou E, Lowe M, Giles Miller C (2016) Laser ablation inductively coupled plasma mass spectrometry investigation of late 19th Century Blaschka marine invertebrate glass models. J Archaeol Sci Rep 6:506–517 URFORMEN DER KUNST/ART FORMS IN NATURE: NEW EDITION AS PORTFOLIO BY ANN AND JURGEN WILDE - Rare Pristine Copy of The New Limited Slipcased Edition - ONLY COPY ONLINE Dyer R (2008) Learning through glass: the Blaschka marine models in North American post-secondary education. Hist Biol 20(1):29–37 Gardner M (2001) The colossal book of mathematics: classical puzzles, paradoxes, and problems. In: Mathematical zoo, WW. North, New York, p 643 (Originally GARDNER, MARTIN. "MATHEMATICAL ZOO OF ASTOUNDING CRITTERS, IMAGINARY AND OTHERWISE." Scientific American 238, no. 6 (1978): 18.)

Art Forms in Nature by Karl Blossfeldt - AbeBooks Art Forms in Nature by Karl Blossfeldt - AbeBooks

Sabin JE, Jones PL (eds) (2017) LabStudio: design research between architecture and biology. Routledge, Abingdon Shaw MD, Szczepanski JZ, Murray SF, Hodge S, Vink CJ (2017) Ideas made glass: Blaschka glass models at Canterbury Museum. Rec Canterb Mus 31:5–84 Brierley L (2009) Art Forms in nature examination and conservation of a blaschka glass model of the protozoan Aulosphaera elegantissima. Stud Conserv 54(4):255–267Artwork based on nature can take many forms and serve many purposes. Because "nature" is such an immense topic that encompasses so many things, I can only provide a partial list of the various subtopics that may appear in nature-related artwork: Deane W (1894) The Ware Collection of Blaschka glass models of flowers at Harvard. Bot Gaz 19(4):144–148 Ozin GA (1997) Morphogenesis of biomineral and morphosynthesis of biomimetic forms. Acc Chem Res 30(1):17–27 Lazarus D (1986) Three-dimensional measurement of microfossil morphology. J Paleontol 60(4):960–964 Merkle A, Boone M, van Loo D (2018) In situ Dynamic X-ray Tomography in the Laboratory. Microsc Microanal 24:998–999