The length adjustment clamping on the boom is on the main joint, and is done via a screw, which in turn acts on a plastic part. This means it can be secured in a safe manner that also ensures that the part is not damaged. The SF 36 M10 F lets you attach devices with M10 bolt mounting to a 35mm pole. Ideal for PAR lights. SF 3616 M Reducer Flange from 36mm to 16mm However, as with all portable designs, there's a trade-off with sturdiness. It's essential to ensure the stand's placement on a flat surface to avoid mishaps.

There has been an advertisement on the Musicians Board for quite some time, with a fresh-looking green apple and an equally green G. I don’t think I’m the only one who has been a bit curious about this. It turns out the advertised products are part of a new brand for stands for microphones, speakers, and instruments. The Gravity brand belongs to Adam Hall. The Musicians Board made it possible for me to test three items from this range. Selecting the right music stand might seem like a small detail, but it plays a significant role in a musician's routine. A dependable stand not only holds your sheet music securely but also ensures that you can focus on your performance without any hitches. Let's delve into the types of music stands available and understand which one might be the best fit for you.The GNSORC 1 is a rugged orchestra-style music stand designed for ultimate handling convenience. Height and support tilt adjustment rely on frictional force and do not require any set screws. All frictive parts are engineered for zero wear. The stand of powder coated steel features a lightweight 50 x 33.5 cm aluminium support. SAT 36 B Adjustable T-Bar for Speaker Stands Gravity® is an innovative new brand of modern music stands and accessories by Adam Hall. After 2 years of intensive development with both users and top designers, Gravity created a simple yet sophisticated range of musicians' stands and accessories. The combination of strong and robust materials, high-quality 2-fold injection ABS plastic and die-cast zinc connectors ensures a long lifespan, secure hold and absolute professional quality. In summary, I feel the stands are a bit unspectacular with regards to performance. They simply work and function reliably. However, it is worth noting as a plus that this is due to the significantly lower prices of the stands than those that are usually referred to as the “standard” here on the Musicians Board.

Gravity® is a registered trademark of the Adam Hall Group. Founded over 35 years ago the Adam Hall™ Group has an excellent reputation for its quality products and superb customer service. Furthermore the Adam Hall™ Group is a reliable partner in the pro-audio and events sectors, as well as the music industry, whose high standards and innovative spirit can be found in every Gravity® product. FeaturesI bought this stand to be my main acoustic guitar/instrument mic holder for sitting/standing performances. The GMSCLMP 25 is compatible with most handheld dynamic microphones and acommodates shaft diameters from 24 to 35 mm. The unbreakable clip holds your mic firmly in place and swivels to aim it as needed. The Gravity microphone clip includes a 3/8" adapter. SA CC35 B You should get an instant answer on whether your application has been successful, though in some rare cases Klarna or V12 may need to look at the application in more detail. Protecting your tripod mic stand from scratches and dirt, this padded carry bag is made of hard-wearing water repellent neoprene. Comfortable carry straps and a two-way head-to-head zipper closure provide handling convenience. Accessories The screws for the base, gantry angle and boom extension length were made using the 2K injection moulding process (with injected metal threads). There is a rubberised surface on the base, which ensures good grip, but is also ergonomically pleasant to handle. I certainly didn’t miss the clamp screws that other stands use. You only have to unscrew the screw a little bit to adjust the angle, and it makes a slight crunching noise. It doesn’t make any further noise when you unscrew it looser. This noise is a clear indication that there is a rubber liner in the joint. This means that the whole joint feels softer/gentler when you adjust it, but it is also possible to secure without using excessive torque and it doesn’t unintentionally shift.

Traveling musicians understand the significance of a compact, portable stand. Consider options like the foldable stand, which combine portability with functionality. I had a lot of fun testing it, and I decided to see what the 95 cm long extension stand would feel like. I screwed the extension onto the already fully extended boom on the mid-size round plate stand, and adjusted it horizontally. The stand didn’t tip over, nor did the boom sink to the ground. It was an extreme way to test it, which wouldn’t really apply in practice, but it certainly shows off the stability of the stand. The stand feet sit well in the base and are free of play.

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Gravity® is a registered trademark of the Adam Hall Group. Founded over 35 years ago the Adam Hall™ Group has an excellent reputation for its quality products and superb customer service. Furthermore the Adam Hall™ Group is a reliable partner in the pro-audio and events sectors, as well as the music industry, whose high standards and innovative spirit can be found in every Gravity® product. Specifications

In practice, the plastic sleeve that I described above made a positive impression. I’ve come across so many stands where if you loosen the screws on the stand boom, then the whole thing starts to wobble. You even see it sometimes with professionals that the microphone starts to wobble on the boom during a show, and then starts to slip due to gravity. If you are someone who values aesthetics as much as functionality, solid wood stands serve dual purposes. They exude an old-world charm, blending seamlessly with classical instruments and setups. However, the trade-off for this beauty is the added weight, which can be a concern if portability is a priority.All in all, this tripod has the same features as the smaller MS 4222 B, with the only difference being that the height can be adjusted from 94 cm to 161 cm. Together with the same boom, as already described for the MS 4222 B, it can reach a maximum height of 245 cm, or, as is presumably intended, can be used as an overhead microphone for larger instruments when combined with the boom. The SA FIXTILT 5 is a speaker tilt adapter for 35 mm poles made of powder coated steel to adjust coverage and HF directivity by 5° up or down. SF 36 M10 Reduce Flange from 36mm to M10